Ítem
| Cabré, Míriam | |
| 2011 | |
| Those who heard the piece sung at the royal court of Aragon, where it was composed, were more than likely familiar with its author, the troubadour Cerverí de Girona, one of the most significant poets of the time. If later readers knew the poem from a compilation similar to the only chansonnier that has preserved it until present times, they would have had access to at least one hundred and three other pieces by the same troubadour, which give useful clues to understand this self-referential piece | |
| application/pdf | |
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2152-1506 (versió impresa) 1942-3381 (versió electrònica) |
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| http://hdl.handle.net/10256/8412 | |
| eng | |
| City University of New York. Graduate Center | |
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Reproducció digital del document publicat a: http://glossator.org/ Articles publicats (D-FLC) |
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| Glossator: practice and theory of the commentary, 2011, vol. 4, p. 59-72 | |
| Attribution 3.0 Spain | |
| http://creativecommons.org/licenses/by/3.0/es/ | |
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Cerverí, de Girona, ca. 1259-ca. 1285 -- Crítica i interpretació
Cerverí, de Girona, ca. 1259-ca. 1285 -- Criticism and interpretation Trobadors Troubadours Cançons trobadoresques Troubadour songs Poesia occitana Occitan poetry |
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| Who are Cerverí’s worst enemies? | |
| info:eu-repo/semantics/article | |
| DUGiDocs |
