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Addenda a la biografia i l’obra del pintor Joan Arnau Moret (1603-1693)

The present article treats of the painter Joan Arnau Moret, catalan painter of the 17th century. Aspects treat each other as the order of the great picture preserved in the cathedral of Barcelona with the iconography The de live ry o f the ke ys of the city of Barcelona to the Immaculate, the biographical news it extracted of the process of canonization of santa Maria of Cervelló or the professional relation that Joan Arnau joined with the prince Joan Josep d’Àustria newly finished the Segadors war (The Reapers’ War). Of them the study also announces a work – the Saint Cathe rine o f Ale xandria of the chapel of Saint Catherine of the cathedral of Girona – proposes to attribute four paintings more – the paintings of the altarpiece of The Saints fo ur Martyrs of the cathedral of Girona – and thinks about the controversial paintings of the altarpiece of the Castle of Vilassar and of the monastery of Sant Joan of the Abadesses. Finally, by means of the stylistic reading of the new works, which the author considers of the best of his catalogue, one tries to demonstrate that the sources of your figurative culture and stylistic are in the painting of Madrid of the first decades of the 17th century

© Butlletí de la Reial Acadèmia Catalana de Belles Arts de Sant Jordi, 2008, vol. 22, p. 21-44

Reial Acadèmia Catalana de Belles Arts de Sant Jordi

Autor: Miralpeix i Vilamala, Francesc
Data: 2008
Resum: The present article treats of the painter Joan Arnau Moret, catalan painter of the 17th century. Aspects treat each other as the order of the great picture preserved in the cathedral of Barcelona with the iconography The de live ry o f the ke ys of the city of Barcelona to the Immaculate, the biographical news it extracted of the process of canonization of santa Maria of Cervelló or the professional relation that Joan Arnau joined with the prince Joan Josep d’Àustria newly finished the Segadors war (The Reapers’ War). Of them the study also announces a work – the Saint Cathe rine o f Ale xandria of the chapel of Saint Catherine of the cathedral of Girona – proposes to attribute four paintings more – the paintings of the altarpiece of The Saints fo ur Martyrs of the cathedral of Girona – and thinks about the controversial paintings of the altarpiece of the Castle of Vilassar and of the monastery of Sant Joan of the Abadesses. Finally, by means of the stylistic reading of the new works, which the author considers of the best of his catalogue, one tries to demonstrate that the sources of your figurative culture and stylistic are in the painting of Madrid of the first decades of the 17th century
Format: application/pdf
ISSN: 1133-0341 (versió paper)
2340-3802 (versió electrònica)
Accés al document: http://hdl.handle.net/10256/9364
Llenguatge: cat
Editor: Reial Acadèmia Catalana de Belles Arts de Sant Jordi
Col·lecció: Reproducció digital del document publicat a: http://www.raco.cat/index.php/ButlletiRACBASJ/article/view/219542/329531
Articles publicats (D-H)
És part de: © Butlletí de la Reial Acadèmia Catalana de Belles Arts de Sant Jordi, 2008, vol. 22, p. 21-44
Drets: Tots els drets reservats
Matèria: Arnau Moret, Joan
Pintura barroca -- Catalunya
Painting, Baroque -- Catalonia
Títol: Addenda a la biografia i l’obra del pintor Joan Arnau Moret (1603-1693)
Tipus: info:eu-repo/semantics/article
Repositori: DUGiDocs

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